As the lights dimmed and the audience settled down, a spotlight appeared revealing the figure of Erik Lindenau, the announcer for “Chicago.” He welcomed the audience then foreshadowed what was about to be seen – lying, stealing, and sex.

Directed by John Loprieno, “Chicago” followed the story of rising stars Roxie Hart and Velma Kelly. They both killed their husbands and met in jail while awaiting trial. The duration of the play focused on their relationship and their creative attempts to escape conviction.

Billy Flynn, one of the best lawyers in Chicago, represented Roxie and Velma. He held an elaborate press conference to reveal his clients’ stories and manipulate public opinion, which resulted in not-guilty verdicts at their trials.

From a musical perspective, “Chicago” hit all of the right notes. Roxie and Velma actresses Lexi Giovagnoli and Natalie MacDonald were phenomenal leading vocalists. The real treat for me, however, was the ensemble. As the songs played, over a dozen dancers simultaneously performed silly, funny, and well-coordinated acts across the stage. No matter where you looked, your eye caught something interesting to see.

“Chicago” was a play you could watch over and over again without ever getting bored.

Theatrically judging, the set pieces were astounding. With a bunch of smoke and mirrors, the stage changed to fit each scene quickly and effectively. Fragmented metal bars dropped from the ceiling to represent a jail cell. Lights flashed, and several scantily clad women came out with streamers. A shining curtain fell upon the background and the set received a stereotypical Broadway feel. While there were not too many different sets, they each looked very distinct despite the lack of backdrop changes.

Overall, “Chicago” was the musical to see. It ran for three straight weeks, with its last performance on April 15. Marking Moorpark College’s largest production of the year, its success was the result of numerous students working well together.

If you enjoy flashing lights and the orderly chaos of a large-scale musical, you would have loved “Chicago.”